This Ticket limits our liability. Read It.

 By reading the enclosed, Reader (hereby referred to as Reader) agrees to imdemnify Batman (hereby referred to as Writer) from the following:

 Resolved: that these are not movie reviews, and therefore Writer reserves all rights to spoil every plot turn, line of dialog, and gratuitous Matthew McConaughey casting that he sees fit, not only with the movie in question, but with any movie he has seen, heard about it, or simply made up, even if Reader really, really was going to see that one, but couldn't figure out how the Netflix queue works.

 Resolved: that these are not reviews, Reader will not hold Writer responsible if Writer does not convey if a movie is Good (hereby defined as Good) or Bad (hereby also defined as Good). This is largely because Writer isn't sure either.

I think I mentioned how certain great films ruin cinema forever, and it occurs to me that Evil Dead 2 is one such example.  Not that people copied the frenetic style and non-stop gag after gag pace; not even Mr. Sam Raimi could do that.  No, they always copy the stupid parts, and in this case, it was Mr. Raimi’s willingness to admit that The Evil Dead, while pretty good, just needed a quick do-over.  And with the extra fifty bucks some idiot gave him, he may have called it a sequel, but in making it, he just strapped a camera to a 2X4 and remade 1 as the masterpiece we know as 2.   Thus the requel was born.  And no, I’m not sure if anyone has come up with that port-manteau before, and you know I’m not going to check, in case it was copyrighted by the people who are bringing you the remake of Citizen Kane, written, directed and starring Ms. Gwyneth Paltrow, told in chronological order, from one perspective.  And no that isn’t a real thing; I send it thusly into the zeitgeist so that it might become one.  Future you, you’re welcome.  Also, don’t cross the street on October 11, 2035.  Or you’ll get bitten by a zombie Gwenyth Paltrow.

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