Fifteen producers, seven writers, four companies, and one genre.
Thursday, August 25th, 2011It is a strange phenomenon indeed that we pay our hard earned money to cinemas to make us tense for a few hours, only to relieve that tension. The explanation for this is like buying a lottery ticket; there’s a chance, however slim that may be in this year of 2011, that the relief will stay with you for a while, that it will resonate in the form of mood, sort of like a drug that makes you feel like crap, but with a fantastic hangover. When I walked out of Beginners, for example, I was cheerful, and the mood stayed with me. Hello, inexplicable traffic jam! Thank you for giving me time to consider how wonderful my life is! And thank you for slowing me down: you can’t be too careful these days! But it’s not entirely like a lottery either, because when you pick and scratch, the worst case scenario is nothing. If you lose, no one reaches across the counter and hits you in the face. Even so, such a scenario would be infinitely preferable to the psychic equivalent of having seen Cowboys and Aliens, the worst film so far in the worst year so far (and that includes Green Hornet, the parts I was awake for that is). Walking out, I wanted to kill everyone. All right, fine, more than usual. Get out my way, crippled orphan! I don’t actually need to be anywhere right now, but I need to be there right now. Oh now you want to hold the door open for me? How dare you?
Suddenly I was in that frame of mind where everything in the world is someone else’s fault. Reflecting upon it, as I bum-rushed an old lady to catch the train, I thought about the combination of the deeply unsympathetic characters and a line that recurs twice: ‘It’s not your fault’. This was anathema to me: it was your fault (the crazy one talking out loud at your cinema, that’s me, by the way). You’re an asshole. You acted like an asshole, and something bad happened. And, having no idea if this applies to the characters, the filmmakers or both, I plunged forward. You want to be psychoanalyzed? Then we’re going to delve into that guilt, or more specifically, the idea that you don’t deserve it. My diagnosis? This is a film is made by, and so about, and is somehow turning me into one of a growing number of sociopaths. That may seem like a personal attack – to say that you lack the capacity to feel compassion for others, see yourself as the center of the universe and yet remain miraculously free of responsibility for your own actions – but my interest is purely therapeutic. The label ‘sociopath’ is not meant to hurt your feelings; it’s meant to hurt your feelings the way a therapist would. (more…)